Rowan Borthwick

Art & Design, Level 3, Yr.1


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Contextual Study- Half term

Our essays over the half term is to write about three different artists and describe their rolls in art/society: Sculptors, craftspeople and designers.
500 words each
Describe tools, materials, techniques and processes that they use.
How do their jobs vary from one another?

Graphic Designer

Graphic design is a sub-category of design that has only come into play in the last

For example:

Peter Saville is a Mancunian graphic designer, born in 1955.
Graphic designers are mainly involved in the business of communication and marketing. The art work/images they produce are used to deliver messages to the general public of consumers. Their job is to sell products, and that requires a unique skill. It means they need knowledge in marketing , technical support. Use of simple, memorable designs to help sell and resemble a person/product.  They require an all round understanding of what the client and  the audience want to see.
Graphic designers are believed to be the largest occupation among art and design occupations. And there is still an ever growing
Therefore graphic design is unlike many other art forms as it is constantly changing with ever more complex/ modern technology, as a buisness they are in high demand for advertisement, web design and they basically mould the audiences view through propaganda.

A renowned designer from Segmester & Walsh, Stefan Sagmeister, said alot of thought provoking things about graphic design in his short film interview with Juxtapoz Magazine.
‘We haven’t made something in years that hasnt been touched by digital technolog’
Sagmeister talked about the event of modernism 100 years ago, when people decided the machine made should be brought to the foreground of design due the printing possibilities available at the time. This still works in design and architecture.

The role of graphic design in international development study (written by Sali Sasaki ’08) shows how graphic designers have become more interested and sensitive to world issues within the last 28 years. A constantly changing and developing area of art which influences our views on events/products massively.

Statistics of primary

Craftsperson
A craftsperson is someone who is skilled at creating things by hand. These can be for functional purposes or just decorative.
Ancestor Leathercrafts, who pride themselves on their traditional skills and contemporary ideas, developed their hand carved, hand dyed leather with ‘over a decade of crafting.’. Creators – Mark & Jez Hunt

Leather has been a very important role throughout the development of civilisation. From prehistoric times man has used the skins of animals for clothing, shelter carpets and probably even for decorative use. This developed into footwear, belts, containers for liquids and waterproof lining for boats. Leather is still being used for a lot of these trades now, and has developed into more efficient/stylish designs. This being said, it is also being replaced by other matierals like plastics and synthetic leathers.
In the past a leather craftsman would have pride in his good, sturdy work. Where as now things are built to break.

designed for a purpose
How you carve,
What this gives to society/links into general lives. – Shoes, bags, accessories

This is somewhat like graphic design in the sense that the majority of leather products are built for a cause.

Leather craft terms:

Back. A side with the belly cut off, usually 15 – 18 sq.ft.
Belly. The lower part of a side, usually 4 – 8 sq.ft.
Kip. The skin of a large calf, usually 9 – 17 sq.ft.
Split. This refers to the undersection of a piece of leather that has been split into two or more thicknesses. Splits are usually embossed with a design or sueded.
Suede. Leather that has been sanded to produce a nap.
Grain. The epidermis or outer layer of animal skins.
Full Grain. Leather that is just as it was when taken off of the animal. Only the hair has been removed and the grain or epidermis is left on.
Top Grain. Top grain leather has often been sanded to remove scars and then sprayed or pasted to “cover up” the work. Top Grain IS NOT the same as “Full Grain” leather.

I found this list of terminology at ‘Simply Leather’.

The role of a leather craftsman has changed dramatically. In the past it was a skill that was treasured and needed in the society for a variety

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A sculptor:

Sculpting factors into many areas of art and design. Because you have to design something before sculpting, and you can sculpt things to create a design.

Michelangelo (1475 – 1564) dominated European art until.

(To be continued….)


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Artist: Lotte Reiniger – Film Director/Silhouette Animator

Two of her most famous creations are considered to be Papageno , the inspiration and music taken from Mozarts work “The Magic Flute”, and The Adventures of Prince Achmed .

Lotte Reginiger was a silhouette animator and film director, born in Germany in 1899 and died at the age of 82 in 1981. It’s said that she loved the Chinese art of silhouette puppetry, and took a lot of her inspiration from it. Encouraging her to build her own theatre

How to create the theatre-
I’ve made one of these before by simply cutting an A4 hole in an A3 box(/size preferred) and then attach tracing paper to the inside ledge. You shine a light through the back of the theatre to the audience. This doesn’t blind the viewer as the tracing paper blocks some light and maintains bold silhouettes.

How to create the props:
Card, Split pins, scissors and a Stanley knife.

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Making the book: Cover.

For the cover I was thinking about using waxy leafs which I would coat in glue to preserve. I’ve seen this before in some hippie shops, used as a cover to picture-books.
“Lost art creations” make artistic metal journal covers. I like this style of drawing over text. They’ve obviously inverted the colours for her etchings. If she was etching the ground straight off the metal, then that would be the bit dissolved. inverting the colours automatically.
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Experimenting:
To start with, I’m going to buy a battered looking book from the charity shop and use it to draw over, seeing what styles/designs I can create. I’m going to try not to be too precious over this, and just experiment. Maybe look at some cut out art?

Metal cover:

Leaf cover –


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Making the book: Rusted paper & Eco dyes

Instructions for reference:

Rusted paper:
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A friend mentioned “rusted paper” to me, so i looked it up. It makes for an amazing rustic old fashioned look using the ingredients –
Indian ink, tea bags, Iron (sulphate of Iron) Ferrus sulphate and caustic soda.
I’ve used Tea to stain paper before, but never tried the others. I plan to give this a go, as well as marbling the pages.

How to:

Prepare sheets of paper and dip them in the various chemical baths. Do this in different sequences to achieve different effects. The colour & patterns of the paper will only start to appear as the paper dries and the chemicals react with one another.

When each sheet is dry, rinse  it with clean water – the colour will not wash off.

Indian Ink (from art supply shops) – 1/2 to 1 teaspoon of indian ink in 2Lte. water.

Tea (bags) – 25 tea bags in 2 lte. boiling water. Brew in ice cream container & store stock solution in large plastic bottles.

Iron (Sulphate of Ion) Ferris Sulphate – such as ‘Searles’. Sulphate of Iron 500g (From garden supply shops). 250g in 5lte. water (100g in 2lte.water).
*Never pour water onto crystals* place water in a bucket and then add the crystals.

Caustic soda – from supermarkets. 3/4 to 1 tablespoon in 2Lte water.
*Never pour water onto crystals*place water in a bucket and then add the crystals.

Given health and safety guide:
-Always wear rubber gloves
-Wash spills under running water, or apply vinegar to neutralise caustic.

Research: 

http://celiawil.wordpress.com/
http://www.snipsandsnailsandpuppydogtails.com/search/label/books?updated-max=2013-06-21T11:26:00-04:00&max-results=20&start=6&by-date=false
http://tondro.com/blog/category/leaf-monoprint-process/

Eco dye:
Unknown

Threadborne tutorials:
“To make my book, stacks of papers were layered with leaves and metals, sprayed with vinegar and water to rust the metals, then steamed over boiling water to extract the “eco” prints. Plant pigments combined with rust to deposit prints directly on the paper in a range of greys, charcoals and blacks as well as natural rust and plant colors.”

Tools and Materials to Make an Eco Printed Book  

Tutorials

For the book pages
140 lb. watercolor paper, folded in half.

For the book spine
80/90lb artist paper, folded into an accordion with 16 panels.


To print the papers

Spine:
Loose black or rooibos tea leaves (dry)
Flat, scrap metal pieces.

Pages:
Tannin-rich leaves such as maple, oak, walnut etc

To develop the rust, spray a bottle filled with 50/50 mixture of white vinegar (5% acid) and water.

To steam the prints: covered cooking vesse (old meat roster) filled with three inches of water and fitted with a raised rack, large enough to hold the papers (do not reuse for food prep)

Enclose the paper between pieces of cardboard and weigh down with bricks, dishes, anything heavy you may have to hand.

Heat: Kitchen stovve, portable hot plate, camping stove. Tongs and groves for handling the hot material.

Technique:

To print the papers

  1. Make two stacks of papers each with three sections folded 4” x 4”
  2. Insert two or more tannin-rich leaves and a small flat piece of metal inside the fold of each section and also between each of the sections in the stack (I used maple and chokecherry leaves for their contrasting shapes)
  3. Spray –soak the stacks with the vinegar-water mixture.
  4. Place one piece of the 4” x 4” cardboard under and one on top of each stack.
  5. Wrap the stacks around with cotton string and tie securely.
  6. Place the two stacks side by side on the steaming rack
  7. Place the weights on top of the stacks
  8. Bring the water in the pot to a boil and steam for 60 – 90 minutes
  9. Turn the bundles every thirty minutes. Steam longer if the desired print is faint, shorter if too strong.

10. When complete, turn off the heat and allow the bundles to rest in the pot until cool or overnight

11. Unwrap the bundles, discard the plants but reserve the metal pieces for other prints.

12. Spread the papers out to dry. Remove stuck-on plant material

13. Once dry, flatten papers under weights.

Tips

  • To help fix the colors, pre-soak papers for two hours or overnight in a solution of one teaspoon of alum acetate or potassium alum sulphate to four cups of water.
  • Rusted metals alone print colors in the orange-rust-brown range on papers.
  • Leaves may be layered on top of rust printed papers and processed a second time. This method tends to print tannin-rich leaves as black on top of rust.
  • Leaves printed alone without metals tend to print colors depending in their growth season: greens, blues, purples, yellows, browns are common
  • Natural dye powders can be sprinkled onto papers or diluted and painted on selectively, as can plant inks such as walnut
  • Dye assistants such as ammonia, cream of tartar, iron or copper sulphate can be painted on selectively to induce color shifts.

Spray papers with a deacidifier on completion of the project.

Resources for bookmaking and natural dyes

  • Alisa Golden: “Creating Handmade Books”
  • Shereen Laplantz: “Cover to Cover: Creative Techniques for Making Beautiful Books, Journals and Albums”
  • For a complete line of supplies and information related to natural dyes, dye assistants and reference materials, see www.maiwa.com
  • Jenny Dean (with Karen Diadick Casselman, consultant): “Wild Color: The Complete Guide to Making and Using Natural Dyes

http://wendyfe.wordpress.com/ – Threadborne


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Artist: Robin Wight – Sculpture

http://www.fantasywire.co.uk/

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His company, ‘Fantasywire’ started as a hobby in which he aimed to create a career. Starting with small sculptures, he refined his work and after interest grew in his art works, he then started to create commissions.
I really like his out door pieces because during the winter/frostier mornings the art works are covered in a thin layer of frost, making them look beautifully life like.

Along the same lines, I think the way he has created the hair has a natural flow, and looks as though it could be real. He has obviously put a lot of time and thought into the movements. To create the same effects in my work I plan to take some source imagery to have the satisfaction of realism with my outcome.

He has the anatomy and proportions of the body drawn correctly. I’ve spent the last few days going over the lessons on drawing people, and trying to perfect the sketches.

(To be continued…)


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Artist: Maskull Lasserre – Sculpture

http://www.viralnova.com/crazy-carvings/

amazing_carvings_07
Maskull Lasserre was born in Canada in 1978, but spent his early years in South Africa. His drawings and sculptures are based around exploring the unexpected potential hidden within every day items to provoke curiosity in the viewers mind. His art works often include creatures, animals and skeletons.
The skeletons in his work are incredibly detailed, one image on his website shows him carving a skull out of a block of wood, while looking at a human skull (enclosed in a glass jar) directly next to him.

He did a series of works based on shoes. The sole of each having the shape of a different animals hooves. I think it’s interest to compare the simplicity of that project, with the complexity of the above carving project. He has an understanding of what looks goo, and when there is enough detail.

This has inspired me with my project because of Lasserre’s ability to find and create beauty out of daily objects.  I hope to be able to achieve the same effect, although finding beauty in the small parts of nature (toad stools, etc) and incorporate it into my project and art work.


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Artist: Salvador Dali – Draftsman

dali_pma_05_17Salvador Dali was born in 1904 and died in 1989, aged 84. He was a Spanish artist who worked in all sorts of creative fields such as Painting, Drawing, Photography, Sculpture, Writing and Film. He has many different art works, many famous and memorable such as The Persistence of Memory (melting clocks), his works with elephants with long spindling legs (Used to illustrate War Of The Worlds), and illustrations for the following works:

Salvador Dali illustrations for Don Quixote.
http://www.brainpickings.org/index.php/tag/salvador-dali/

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I find this inspirational as it is all drawn as though in a sketch book style, and even though the art style is not consistent he still manages to relay the story to the reader.

Salvador Dali’s illustrations for Romeo and Juliet:

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These illustrations are more colourful, with loads of hidden images/meanings. The more you look at these artworks, the more separate images you can pick out.

Twelve signs of the zodiac:

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(To be continued…)


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Artist: Brian Froud – Illustrator

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Brain Froud who lives with his wife, Wendy Froud, in Devon are both fantasy artists.
Brian Froud first worked as a costume designer for films such as David Bowie – Labyrinth (Image shown above). Wendy Froud is a American doll-artist, sculptor, and puppet-maker, making individual creations of mythical/fantasy creatures.
I have been inspired by one of their  books – ‘Lady Cottinghams Book of Squished Fairies’. Supposedly  Lady Cottingham ‘took the infamous photograph of a group of fairies that was authenticated by Conan Doyle, but later discredited.”
This was created with watercolour and pencil. I find the different creatures unique personalities fascinating and wish to create similar illustrations but in my own style.


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Artist: Lee Jeffries – Photographer

Lee Jeffries, “What we are”:

what-we-are

Lee Jeffries lives in Manchester. He began photography professionally when close to the footballers. One day he took a photo of a homeless girl sleeping and took a turn in his photography style, taking photos of homeless people around the world. Finding out their stories and working towards portraying the beauty of the world.